"Judgements point out to you where you are closing the door to your creativity." (p.27)
I am very, very resistant to the philosophy of process painting. Learning about it and doing it are part of the process for certification as a Birthing From Within Mentor, though, so I'm being "forced" to push into this resistance . . .
I know my judgements about process painting close the doors to some creativity. I do. But my judgements are really strong. I have really strong "agreements" or rules about this. But I'm not at all sure what they all are.
Here are some preliminary guesses . . .
Rule: creativity is relational. What I create is not just for me. It's for the community I'm embedded in.
Rule: a beautiful thing is more beautiful if it is also functional. I.e., when I create something, I don't want it to be only aesthetically pleasing. I want it to be useful, too.
Rule: corollary: time spent on creativity must be useful (produce income, entertain others, etc.) - not "just for me"
I'm not phrasing these very judgementally, but there are strong judgements embedded there.
I also found this book an interesting one to read at the same time as another one I'm reading: Women's Ways of Knowing. One of the things the authors of that book talk about is where knowing comes from: not-knowing, knowing based on external authority, knowing based on internal authority . . . it seems to me that Cassou is reacting to common ideas about where it is okay for artistic knowing to come from. More on that later.
Rule: a beautiful thing is more beautiful if it is also functional. I.e., when I create something, I don't want it to be only aesthetically pleasing. I want it to be useful, too.
Rule: corollary: time spent on creativity must be useful (produce income, entertain others, etc.) - not "just for me"
I'm not phrasing these very judgementally, but there are strong judgements embedded there.
I also found this book an interesting one to read at the same time as another one I'm reading: Women's Ways of Knowing. One of the things the authors of that book talk about is where knowing comes from: not-knowing, knowing based on external authority, knowing based on internal authority . . . it seems to me that Cassou is reacting to common ideas about where it is okay for artistic knowing to come from. More on that later.
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